229 – 060821 ZLP13-Les Paul – Pine Tabletop #5

Body Style:  ZLP Les Paul with Maestro Vibrola 

Body Wood:  Knotty Pine

Neck Wood:  Mahogany

Fingerboard Wood:  Pau Ferro

Scale:  624 mm

Frets:  24 Stainless, 110/57

Fingerboard Radius:  12 inch

Tuners:  Gotoh Vintage-style

Pickups:  Zachary Hand Wound MagPole-Bucker set

Controls:  master Volume and Tone, 6-way switch

Pickup Selection, 6-way rotary switch:
1- neck humbucker;   2- neck inside coil;   3- both inside coils;
4- both humbucking;   5- bridge inside coil;   6- bridge humbucking
;

Neck Joint:  bolt-on with Spike isolation coupling and angle adjustment,

Strings:  Zachary Optimum Tensions, 10++ RW set

Weight: 6 lbs., 6.6 with Vibrola

Price:   $2500 USD + extras, + case


Inspiration 

This is a very special project. A series of 6 Zachary guitars made from an old pine tabletop I found in someone's garbage.
If you are looking for a kit guitar assembled for you for over $4000, you will have to look elsewhere. 

It all started when I was riding my bike one day and people had put their waste out for pickup. I saw this pine table and was immediately upset, as I always get when I see anyone throwing away wood, any type of wood. Why would anyone throw wood into the garbage? It just seems so odd and deviant to me. It should be a punishable crime to throw out wood or waste wood in any way.  Wood can always be repurposed or in the worst case scenario it can be used as fuel for survival. Throwing away a beautiful piece of pine tabletop is what a domesticated toddler would do in a boomer neighborhood, who is nothing more than a brainwashed zombie. This is what society has become and what was created by mass arrested development and indoctrination. 

So I returned to this place with my vehicle and picked up this table.  I knew immediately what I would do with it. This was a beautiful piece to me. I noticed that unfortunately it was thinner than the 1¾" needed for traditional Fender or Gibson-style guitar bodies. I brought it home to my shop and kept it there for over a year just thinking about it, until the inspiration was burring inside of me to give this tabletop a new life and make the finest guitars from it. Guitars for real players. Fully realizing that the same toddler who threw out this table would never buy any guitar which you see in this series. I understand that these guitars have no commercial value in the world we live in and to the type of person who is the guitar consumer. These guitars however are the finest any REAL player will ever play. 

As you can see in the pics of the tabletop below, I plotted where the individual guitar bodies would be cut out. So what resulted is a series of 6 Zachary guitars. Thicknesses are a bit thinner than production Telecasters and Les Pauls but it ended up just perfect in terms of light-weight and comfort. I am thinking that 1¾" may be too thick for a solid-body guitar. This Pine Tabletop series gave me the opportunity to try out different pickups that I also build.

I was very careful and made sure that I left the tops undamaged and unaltered, including its original lacquer finish. Tops are identical to what they were when still a table. I can imagine that generations in that family had sat around this table. Kids having lunches on it when they came home from school. Kids did their homework on it and art and crafts (notice the paint marks). The whole family had dinner on this table and lives were spent around this table. I grew up in this neighborhood, so I am familiar with the lifestyles here. It was the typical suburban lifestyle of the middle class in the 60s, 70s and to the present day when this table was finally thrown out. I even forgot which street and which house I picked it up from. 

These are my favorite kind of guitars. I really don't like museum-piece, pristine, fancy and opulent, exotic wood instruments. They are just gaudy to me and not for playing. Those are made for the toddlers.

These tops are untouched, preserved and even uncleaned, exactly as they were as the table, but the rest of the guitar, including all of the hardware, I reliced (distressed) to match the vibe of the old table and its history. Notice that the tabletop had a heavy Oak mechanism underneath it, which I had to dismantle and remove. This left impressions in the wood, as well as bolt and screw holes, as evidenced on the back and sides of the guitar bodies. I did plug most of these screw and big bolt holes in the back and sides of the bodies. 

This type of a handmade instrument is incomparable to the sterile, mass manufactured, plastic-covered, guitar-looking-objects with bar codes in them, which are what pass for guitars today. Look what passes as humans today. No wonder.

No two Zachary guitars are ever alike. 

This Guitar

This is the first guitar I ever built with Maestro Vibrola vibrato unit. These things are really crude but I love the simplicity of them. Simplicity is one of my favorite things. The problem is that if they are not made right, they can be a real problem. This one was not made right. The arm was not attached to its base properly and came lose. I had to silver braze it on. Now its unbreakable. I also had to modify the way the arm is mounted on the spring steel. I had to raise it to clear the volume knob. Also, if they don't bend the spring steel just the right way, the angle of the arm will not be correct. Much work had to go into this to make it right.

Vibrolas take a lot more effort to activate, as compared to Stratocaster or Bigsby units. The tension of the spring steel is a lot stiffer. But it does work and the way I set it all up with my proprietary nut, string retainer bar, Gretsch tilting bridge and locking tuners, the tuning stability is perfect.

The other thing I wanted to do here is build my unique MagPoleBucker pickup set. This is a Gibson style humbucker pickup, which has one side as a regular Gibson slug side but the other side, the active side has the slugs or screws replaced by Fender rod magnets. So it functions as a Fender-style pickup in single coil mode and a Humbucker in double coil mode. This is all switched with the 6-way rotary switch with that cool vintage brown chicken head knob. So you get every possible switching combination in both single coil and humbucking modes.

This guitar also can be converted from a hard tail to a vibrato style, since I also built it with through-body individual string eyelets. 

Thing of this guitar as a cross between a Les Paul Junior/Special and a Melody Maker but with hardcore design, entirely and actually hand built by one person and something which has the playability, which you cannot even dream of.

Do you get the idea why Zachary guitar are so unique and the best guitars in the world?
If you still don't, then I really hope you stick to or get a PRS. Its what you deserve. I hear its quite lucrative if you are one of their 6 thousand endorsers.